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Exhibition: Southern Cross

Dates: March 2 - 30, 2024

Location: Outsiders and Others, 716 East Hastings Street, Vancouver

 

Reception: March 2 from 2-4pm. Free and open to the public.

 

 

We are excited to present this exhibition of anonymously made religious crosses and crucifixes. These objects would be considered Folk Art and “tramp art”.

This show is a great opportunity to educate yourself on a sub-genre of “outsider art”.

 

“Tramp art” is a style of woodworking which emerged in the United States in the in the late 19th century. Some of “tramp art's” defining characteristics include chip or notch carving, the reclamation of cheap or available wood such as that from cigar boxes and shipping crates, the use of simple tools such as penknives, and the layering of materials into geometric shapes through glue or nails.

 

Widespread use of wooden cigar boxes in the 1850s sparked lots o creation and involvement in “tramp art”. It was most prevalent during the Great Depression. “Tramp art” was made around the world but it prospered in the United States. Examples can be found in every state. The most common “tramp art” objects that were created were picture frames, crosses and crucifixes, and keepsake boxes.

cross1.jpg

Anonymous

Folk Art Cross #1                    

9.25” x 6.5” x 2.75”

Wood matches, metal crucifix

SOLD

Anonymous

Folk Art Cross #3

17” x 12.5”

Wood matches

SOLD

Anonymous

Folk Art Cross #4

9” x 17” x 2”

Wood matches, glitter, pipe cleaners

​

Contact us for price and availability.

Anonymous

Folk Art Cross #5

6.5” x 6” x 2”

Wood matches, glitter

SOLD

Anonymous

Folk Art Cross #6

9.75” x 5.5” x 2”

Wood matches, glitter

​

Contact us for price and availability.

​

Anonymous

Folk Art Cross #8

11” x 9”

Wood matches

SOLD

Anonymous

Folk Art Cross #11

16” x 11” x .75”

Wood matches, glitter

​

Contact us for price and availability.

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As outsiders to this land—the land of the xÊ·mÉ™θkÊ·É™y̓əm / Musqueam , Sḵwx̱wú7mesh Úxwumixw / Squamish,

and sÉ™lÌ“ilw̓ətaʔɬ / Tsleil-Waututh  Nations — we continue to acknowledge their stewardship of these lands

since time immemorial.

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We acknowledge the colonial history that has devastated these lands and peoples,

and we are committed to learning from the past to help create a shared future of observation, reconciliation,

and understanding. As visitors to this land, our gallery is committed to supporting the development of local Indigenous peoples and communities.

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In gratitude and with ever-evolving knowledge, we look forward to honest and open dialogue between Indigenous peoples and the outsiders who are here to create, learn, and prosper together.

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